As a soloist and accompanist, in ensembles and as a continuo player, I perform throughout the UK and abroad on the lute, theorbo and baroque guitar. I have enjoyed working with many renowned artists and ensembles including Dame Emma Kirkby and Dowland Works, Rachel Podger, the Netherlands Bach Society, English Touring Opera, La Nuova Musica, and in side-by-side projects with the Academy of Ancient Music, performing at venues including Wigmore Hall, The Barbican, St John’s Smith Square, and St Martin-in-the-Fields. I have also given concerts and recitals for The Lute Society, the London Handel Festival, Brecon Baroque Festival, and Dartington International Festival, as well as appearing on BBC radio and television.
I spend much of my time in the vast seventeenth-century repertoire for lute and voice, and along with soprano Emily Owen formed the duo Melismata to share this passion. As well as performing for Brighton Early Music Festival as BREMF Live artists, we also work with Live Music Now to bring music-making to audiences that otherwise might not be able to experience it. This involves a range of participatory performances, workshops and residencies with care homes and special schools, and together we have also recently completed LMN’s SEND Inspire Level 1 training. You can read more about my work with LMN in an interview here. I also teach both privately and at Faraday School in London.
I was born in London and enjoyed a very musical education as a scholar at Bristol Cathedral Choir School, where I studied violin, piano, and percussion, and also sang in various choirs. I went on to play in the National Youth Orchestra of Great Britain, and then read languages and history at King’s College London and the London School of Economics. After being drawn to the lute, I began my studies with Manuel Minguillón, and took frequent masterclasses with Paul O’Dette. I then completed my postgraduate studies with William Carter and David Miller at the Guildhall School of Music and Drama, where I was supported by a scholarship from the Guildhall School Trust.
The instruments I spend most of my time playing are a theorbo by Klaus Jacobsen, an 8-course renaissance lute by Martin Haycock, and a 13-course baroque lute by both makers. When I am not busy playing, I can be found at South London Swimming Club, singing at St John The Divine Kennington, and looking after my dog Fred - a Greek harehound rescued a few years ago.
Please contact me for my latest biography.
I spend much of my time in the vast seventeenth-century repertoire for lute and voice, and along with soprano Emily Owen formed the duo Melismata to share this passion. As well as performing for Brighton Early Music Festival as BREMF Live artists, we also work with Live Music Now to bring music-making to audiences that otherwise might not be able to experience it. This involves a range of participatory performances, workshops and residencies with care homes and special schools, and together we have also recently completed LMN’s SEND Inspire Level 1 training. You can read more about my work with LMN in an interview here. I also teach both privately and at Faraday School in London.
I was born in London and enjoyed a very musical education as a scholar at Bristol Cathedral Choir School, where I studied violin, piano, and percussion, and also sang in various choirs. I went on to play in the National Youth Orchestra of Great Britain, and then read languages and history at King’s College London and the London School of Economics. After being drawn to the lute, I began my studies with Manuel Minguillón, and took frequent masterclasses with Paul O’Dette. I then completed my postgraduate studies with William Carter and David Miller at the Guildhall School of Music and Drama, where I was supported by a scholarship from the Guildhall School Trust.
The instruments I spend most of my time playing are a theorbo by Klaus Jacobsen, an 8-course renaissance lute by Martin Haycock, and a 13-course baroque lute by both makers. When I am not busy playing, I can be found at South London Swimming Club, singing at St John The Divine Kennington, and looking after my dog Fred - a Greek harehound rescued a few years ago.
Please contact me for my latest biography.
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‘Full of discreet virtuosity and lovely timbres’
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‘Refined and careful progressions ... exposing the modulations in a fresh, honest way.’
Gscene
‘A source of constant delight throughout the evening ... the clarity of the theorbo shone through.’
Early Music Today
‘Sharp and lively accompaniment ... a joy to watch.’
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